HW10 due 2/9: SH5 Thesis Process/Thesis

1. Slaughterhouse Five–This weekend revisit your class forum and choose one of the posted questions that you think will lead to a compelling thesis. So, you can choose any question and use that question. Feel free to tweak any question to your liking. After you have chosen a question, develop an answer to that question. Ultimately, your answer should be the root of your thesis, an argument! Think about parts of the novel that will be necessary to answering the question. These parts (i.e. devices, elements) become your points of analysis.

So, on Monday here’s exactly what I want to see:

  • On one sheet of paper, your typed question  followed by a thesis statement (that would be a response to that question).
  • On another sheet of paper, the handwritten process that led you to your thesis.

2. We begin The Alchemist on Monday!

3. Review your class vocabulary!

HW10 due 12/22: Slaughterhouse Five and 1984 Theses

1. Slaughterhouse Five–Read and annotate Chapter One! Get ready for a wild literary ride!
2. 1984 Thesis
–You have had opportunities to gather your thoughts around various Points of Analysis combinations. This weekend, working with the points of analysis that you already written about or new ones (now that you are finished with the novel), you are to come up with TWO compelling thesis statements. Below you will see two examples, one with an in-text so what and one with an out-of-text so what. Don’t worry so much about whether your so what is in or out of text (we will talk more about that in the new week).

 

  • In-Text: In 1984, George Orwell’s juxtaposition of the Prole Woman with Julia creates the internal, ethical conflict necessary for Winston’s final betrayal and his subsequent love of Big Brother.
  • Out-of-Text: In 1984, the Party’s reliance on mental, emotional, and intellectual manipulation within the outer party as opposed to the Proles leads to the self-deception necessary for the inherently dehumanized nature of historical hierarchical societies.

Both thesis statements SHOULD BE TYPED.  HOWEVER, I am most interested in the PROCESS leading up to each thesis. So, I expect you to bring in the process for each. That process should reflect great effort and thought. Again, bring in the HANDWRITTEN process as well. Remember, we want to have a rocking thesis by Wednesday so we have nothing to fret over during the upcoming break.

 

HW10 due 12/18: Thesis Prep

1. Today, we brainstormed a list of possible points of analysis for 1984. Working with that list (and any other points of analysis you may think of tonight), imagine ways in which multiple (2 or 3) points of analysis from the list may be connected.

For instance, one may connect flashbacks, dreams, and Winston’s characterization. How? There must be a rationale for bringing these three points of analysis together. In this case, one may see that through dreams and flashbacks one gets a sense of Winston’s former humanity and desire for a “rehumanization.” Yet, when juxtaposed with his developing and ultimately regressed characterization, one then sees the significance of dreams and memories in defining his personal values and consequent humanization.

The above is a sample rationale for that grouping. You must create three combinations tonight, each with a rationale articulating why you group the points of analysis. This should be done in your binder.

2. Make sure you turn in The Bell Jar tomorrow (be sure to remove post its).

3. Finally, you should be ready to discuss Vonnegut and the bombing of Dresden.

HW10 due 10/28: Thesis Revision

1. Class Forum–Posted both your “weekend thesis” and your revised sentence.

2. Be sure you print out Orwell’s essay, Politics and the English Language

HW10 due 10/27: The Bell Jar Thesis

1. Class Forum–Final drafts of thesis statements should be posted by midnight Sunday!

2. We begin the 1984 unit in the new week! Be sure to print out the following George Orwell essay:
Politics and the English Language. We will read this Monday night!